515 безплатни аудиофайлове за "Eileen Newton Arthur F. Tate"

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

This is considered the first Jazz recording. "This tune was issued on an Edison Blue Amberol wax cylinder in April of 1917 and on an Edison record in July of that year." Jazz band

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano.Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5. Aufgenommen 9. Febr. 1906 für das Welte-Mignon Reproduktionsklavier.Italiano: Artur Nikisch (1878-1936) suona il brano Danza Ungherese n°5 di Johannes Brahms. Registrato il 9 Febbraio 1906 con il pianoforte meccanico automatico Welte-Mignon.

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano. Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5.

Bassoon Concerto in Bb major - Allegro This recording of Arthur Grossman of the Mozart Bassoon Concerto in Bb major was made in Bordeaux France in 1957 with the 7th Army Symphony Orchestra conducted by Ling Tung.

An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07

F♯ natural minor scale ascending and descending.

Recorded and performed instrumentally by the U.S. Navy Band and featured on the 2006 album World Class Marches.

Scarlatti Sonasta K319, bars 62-80

Schubert Fantasia in F minor bars 98-106

Awadagin Pratt performs the first and fourth movements of Franz Schubert's piano four hand Fantasia in F minor with student pianist Lucy Hattemer at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 21:20 - 29:04.

Haydn, Sonata Hob. XVI:29, bars 1-4.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

w:Arthur Sullivan's w:Overture di Ballo, Overtures (1991, track 7)

The musical piece is a two-part invention in F-minor for keyboard (harpsichord) in a Baroque style, written by amateur musician Philip Kanellopoulos as a student's exercise in 1988 in Claremont, California, and recorded using the Finale NotePad software (version 2012).

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Second Suite in F for Military Band, Op. 28, No. 2: III. "Song of the Blacksmith" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 8 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Second Suite in F for Military Band, Op. 28, No. 2: IV. "Fantasia on the Dargason" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Second Suite in F for Military Band, Op. 28, No. 2: "Song Without Words, I'll Love My Love" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 7 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Second Suite in F for Military Band, Op. 28, No. 2: I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

한국어: 요한 제바스티안 바흐의 브란덴부르크 협주곡 2번 2악장 Brandenburg Concerto.No. 2 in F Major, 2nd movement

Historically significant 1911 recording by duo Arthur Collins and Byron G. Harlan of "Alexander's Ragtime Band" (1911), originally composed by Irving Berlin. Recorded for Victor Records (#16908-B), this particular comedic duet of the song became a smash hit due to its farcical emphasis.

This is the sound of newtons cradle a toy that demonstrates conservation of momentum by use of balls held by strings clicking and causing chain reactions.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Fourth movement of Gustav Holst's Second Suite in F for Military Band, based on the folk song of "Dargason" whilst "Greensleeves" clearly wovens into the fantasia in the end.

Third movement of Gustav Holst's Second Suite in F for Military Band, featuring the folk song "A Blacksmith Courted Me".

First movement of Gustav Holst's Second Suite in F for Military Band. Includes tunes Morris Dance, Swansea Town and Claudy Banks.

Bach, Prelude in F minor bars 57-70

Second Suite in F for Military Band I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the 553rd United States Air National Guard Band of the Northeast. Track 2 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Second Suite in F for Military Band "III. Song of the Blacksmith" performed by the 553rd United States Air National Guard Band of the Northeast. Track 4 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Bach, Prelude in F minor, bars 57-60 with expected conclusion

Second Suite in F for Military Band IV. "Fantasia on the Dargason" performed by the 553rd United States Air National Guard Band of the Northeast. Track 5 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Second Suite in F for Military Band "II. Song Without Words, I'll Love My Love" performed by the 553rd United States Air National Guard Band of the Northeast. Track 3 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

This Land is Your Land to a semi-traditional tune with text by Woody Guthrie, sung by myself, F major

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 21 Prelude No. 11 in F major, BWV 856

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 22 Fugue No. 11 in F major, BWV 856

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 22 Fugue No. 11 in F major, BWV 856

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 24 Fugue No. 12 in F minor, BWV 857

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 23 Prelude No. 12 in F minor, BWV 857

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 23 Prelude No. 12 in F minor, BWV 857

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 24 Fugue No. 12 in F minor, BWV 857

Ethiopia Rag

Ethiopia Rag